2013年蛇形馆将Sou Fujimoto汇集在一起,设计了最年轻的建筑师,设计了安装,以及展馆的新工程师和技术顾问。在东京和伦敦分别工作,该团队通过在线协作系统通过在线协作系统进行沟通,在六周的设计过程中运行日常设计会议。这些会议将所有贡献者从项目开始到结束,讨论概念并将信息输入到集成模型文件中。Fujimoto的团队最初从物理模型工作,而AECOM在数字化上工作。Fujimoto的建筑探索室内和室外的边界以及空间和形式的复杂性。他的展馆的目标是创造一种像云的矩阵,在室内和室外之间建立外部形状和内部空间,没有硬边界。对于AECOM,目标是看到这种结构,由极薄的钢管制成,是结构,物理声音和防风雨,所有都在不影响建筑师的愿景。AECOM通过各种钢块解决了这些挑战,以将必要钢的量减少一半;一种独特的钉钉接头,可用于无缝的三维关节;和半透明,重叠的光盘,减少雨对结构的影响。 The result was Fujimoto's vision realized in something that resembles nature's randomly artful geometry. During the day the sun made the white-painted structure shine while at night a lighting design by AECOM gave it a soft glow. The crowds who packed the Pavilion and climbed throughout its uniquely defined spaces spoke to its success in engaging the senses and imagination. As required, the structure's removal left the royal parkland unspoiled by means of a thin concrete foundation that rested on the ground.