一个绘图挑战2020:竞争获奖者透露!

The winning drawings form a fascinating visual commentary on a wide range of world events from COVID–19 to the climate crisis.

Architizer EditorsArchitizer Editors

By the power of pen, pencil and computer mouse, we have definitive proof that architectural drawing is alive and well in 2020!

After a thorough review of all 100 Finalists by our stellar jury, Architizer is excited to announce the winners of the2nd Annual One Drawing Challenge。今年提交质量比以往任何时候都更好,通过架构语言讲述了强大的故事。2020年的动荡性质为参赛者提供了充分的灵感,其中许多图纸对来自Covid-19到气候危机的广泛世界事件形成了迷人的视觉评论。

今年,非学生大奖获奖者是Bless Yee, an Associate at亨德尔建筑师,对于她绘图“单独”,在地下室的蜂窝状网络中封装2020的详细剖视图。与此同时,学生大奖获奖者是Hannah Christy and Craig Findlayof the内布拉斯加州林肯大学。他们的绘图题为“混凝土阿特拉(NTI)”,提供了在重新浏览导弹筒仓的老化墙壁内进行的回收活动。

One Drawing Challenge juror Suchi Reddy, founder of architecture and design firmReddymade, was suitably impressed by this year’s entries. “The submissions were skillful and complex, and the winners were expressive even without the description — when layered with that, they are even richer. Drawing as a means of emotive communication is alive and well!”

Without further ado, explore the winning drawings and 10 commended entries for this competition, complete with accompanying descriptions written by their creators:


Non-Student Winner: “Together Alone” by Yee Bless,亨德尔建筑师

“Today, social distancing has manifested a new definition of ‘together’. The physical proximity of people and buildings have been reduced to the ‘virtual’. ‘Together’ we isolate, ‘together’ we work, and ‘together’ we zoom into the lens of our homes and struggles amidst a pandemic, the intrinsic fight for human rights, and survival of the everyday.

此图通过封装我们居住的空间的六边形豆荚切割了一部分。六边形形状代表了我们各种设计的自称强度和效率,与快速速度循环病毒的效率相同。六角形框架在日常生活中如何应对病毒的演变和解的压力下变形。我们的豆荚对彼此并置,揭示了我们比我们想象的更接近“在一起”,并且我们必须在未来“一起”。


学生获奖者:“混凝土阿特拉(NTI)S”由内布拉斯加州林肯大学汉南克里斯蒂和克雷格芬莱

“代表我们在一个压倒性环境中维持古老的环境的能力溢出的浪费,由令人满意的人口占据的人口占据,这种绘画与暗示的主题一样复杂。它设定为在美国分散的72个退役的阿特拉斯-F导弹筒仓中的一个。此绘图批评可重复使用商品的随意管理,从废弃的基础设施到可回收材料。

Through the convention of a section, this drawing shows the activities in the depth of the repurposed missile silo. Figures sourced from The Age of Enlightenment depict radicals productively recycling materials into a built environment erecting towards the sky. Facilitated by the cold war era framework, the occupants build upon their neighbor’s successes allowing an innate desire for vertical growth to materialize.”


“The Minute Before Tomorrow”由Nada Matar,CallisonRTKL

“She murmured to me bluntly: you do not belong here. I answered bluntly: I do not belong here. I never managed to package her neatly when we were separated. Because I never had the courage to tell myself that I left, never to be back again. Now I am a shadow of myself, restlessly wandering Earth. “Do you often go back?” I am repeatedly asked. And I lift my gaze to hide my silence. I never left. She lives in me.

Our soul is a shelter. Cities live in us as much as we are in them. They inhibit our memories and tell our stories, they transmute, live, die and glow in our fantasies.

乐天学家说,她会再次上升。愤世嫉俗的人看到一个城市在灭绝的过程中:贝鲁特永远不会再一样了。“


值得关注:“我脑海中的故事”由SebastiánCamacho,Martinez Arquitectura

“架构是一个人类和历史事件,随着时间的推移,演变始终在这两个之间链接,具体取决于时间架构适应和管理来调整这些变化。每个设计和建造工作都告诉我们一个独特的故事,因为它是因为它的经验建造或生活在那里。

All this makes me think that every day that there are new works, exciting experiences are born, which must be appreciated to remember them forever and this will reflect majestic buildings in the world.

让我们享受建筑,穿过它并在其中的实际体验。“


“Here Everywhere” by HansVillamayor

“2020大流行已经改变了生活的范式。检疫和锁定物理地限制人们的家庭的范围。从历史上看,需要延长护理的患者经历了谵妄,引起了短暂的注意力,不连贯,取向差和认知。扩展检疫导致了类似的生活方式不平衡。在这里,各处都是说明了锁定高度的受干扰地方的日志经历。

Such unease can be teased with many (paradoxically relevant) cognitive dissonances:

social / distant
cozy / claustrophobic
isolated / connected
隐私/宣传

In the midst of “these strange times,” these paradoxes blur distinctions and dimensions, imbuing architecture (spaces, surfaces, objects) with a multiplicity of meanings:

The bed is
The couch is
The table is
The desk is
The counter is
The floor is….

When there is no place to go but everything to do, everywhere is here.
When everything is available but only from home, here is everywhere.”


“Podalida” byJoakim Dahlqvist

Complete drawing

Detail

“一个虚构的城市的图画。我厌倦了所有的凹陷愿景,并想要创造一些乐观但仍然含糊不清的东西。它是一个充满活动和动态的场景,没有单个主角的多个故事。每次看着它都会发现许多复活节彩蛋和秘密。“


Decoding WasteCity by Andrea Zamora and Juanita Echeverry, Universidad de Los Andes

“The COVID-19 emergency, together with our consumer behavior, triggered pollution and waste production rates. This catastrophe led to city abandonment, where buildings became obsolete.

Returning to the ruined city implied rethinking the management of resources. Waste colonization became the strategy to survive reality. In this way, the new territory is shaped by the overlapping of multiple time scenarios where the interrelated layers reconcile conflictive situations.

Here, life is possible due to the existence of new mobility systems developed within the living planes. Bridges allow horizontal passages, while the redesign of Bogotá’s public transport tracks along vertical structures that pivot through the coatings of the new reality.

What used to be is essential for what is to come. Each layer is indispensable for life to endure in the new territory. By decoding the decay accumulated over decades and reconstructing from what is no longer usable, life can develop in WasteCity.”


Commended Entry: “Liberty Landfill Plaza” by James Wines,SITE New York Professor emeritus at Penn State University

“这项题为”自由垃圾填埋广场“的工作,展示了低曼哈顿的假设商业发展建议的图形。建造这个项目所需的垃圾填埋场信封自由女神像;但。允许她的火炬作为新的公共空间的核心雕塑保持在地上。该绘图也是特朗普时代对美国文化和环境影响的特别评论。“


“Sanctuary of Disney’s Unloved Children” by Xinze Seah, Bartlett School of Architecture (UCL)

Complete drawing

Detail

“Disney has shaped the world of animation with films such as Snow White, Pinocchio, and Cinderella. These films have had global acclaim and generations have grown up influenced by the “magic” of Disney.

On 8th April 1999, Disney abandoned Discovery island, a Safari zoo containing exotic birds and animals. To date, Disney has faced many allegations of abuse and mistreatment of its staff and animals.

Thus this project is an exploration into the “dark side” of Disney and to create a redemption for its forgotten victims. Inspired by the Disney film Cinderella, in which Cinderella’s furry friends construct a dress from the unwanted fabrics and beads deemed as “trash. With this dress, the forgotten will attempt to outshine the “tyrant”, Disney.”


Commended Entry: “The Warehouse of Unfinished Ideas” by格雷厄姆凯尔曼

“The nature of the creative process consists of a chain of smaller ideas, tangents, and design iterations. These concepts are essential stepping stones leading to the final output. Some might argue, they are meaningful works in their own right.I often imagine unfinished architectural ideas archived within a vast warehouse as a collection of physical prototypes and miniature models. They loom in their various scales and unfinished states, waiting for the opportunity to be applied to future projects.

These fragments are studied, reflected upon, and referenced. They exist prior to a project’s impetus, and remain long past it’s completion.Will these undeveloped ideas lie dormant for eternity, or will they one day have the ability to be deployed to their full potential? Do they truly matter if they are unseen or unfinished? For now they wait, eternally housed within the warehouse of the mind.”


“Owls and Vultures” by Dennis Allain, Dennis Allain ADI

”这个概念是基于设计一只鸟aviary contained within an abandoned hanger. We do not know how the door was left open. The explorer is also left to question why such a large cage was constructed in the first place. The detail in construction gives us a sense of purpose and the sheer scale of the vaulted ceiling provides the viewer scale. However the full meaning is mysterious and the secrets the cage once held are left up to the witnesses interpretation.”


“View of Apartment #5, a Labyrinth and Repository of Spatial Memories” by Clement Laurencio, University College London (UCL), Bartlett School of Architecture

“自伦敦锁定开始以来,五个月过去了。我仍然孤立在三楼。

After many months of being locked up in my apartment, something peculiar began happening…

有一天,当我去洗手间时,我突然发现自己被运送到另一个地方。这是黑暗的,但我可以感觉到我脚下的冷石。我的步骤通过这个海绵状空间回声。我达到了墙壁,在那里我感受到了透细切换的熟悉的形状......我回到了公寓里。我以为我穿过艾哈迈达巴德的沉肯河畔蜿蜒。另一个时候,我正在跑上我的双手放在Doshi的Sangath的光滑的阳光抚摸屋顶上,事实上,我坐在我的客厅里,抓住我的温咖啡杯......过去的时间表现出来自己......

My memories had allowed me to escape my apartment.”


作为我们的两个顶级获奖者,祝福Yee和Hannah Christy和Craig Findlay团队将各自接收:

  • $2,500 cash prize
  • Leuchtturm1917 Notebook
  • Pro Digital Drawing Package, including:

Further to this, the 10 commended entries shown above will receive a prize package of analog and digital drawing tools. Revealed earlier this month, the top 100 drawings were also published inarchitizer Journal上的一个特别版功能。仍然来,我们将在未来几周发布获奖者上的进一步特征。

Thank you to all participants for their hard work in creating these amazing drawings and telling fascinating stories about architecture. If you are interested in entering next year’s One Drawing Challenge, be sure to sign up for updates by clicking the blue button below.

与此同时,保持绘图!

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